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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN ROMÂNA ENGLISH INFO PARTENERI ADRESE DE CONTACT ACCES PARTENERI FORMULAR ABONAMENT NEWSLETTER & DOWNLOAD CELE MAI NOI APARITII APARITII ÎN ANUL CURENT TOATA ARHIVA STUDIA CAUTARE ÎN ARHIVA ISTORIE PREZENT SCOP SI OBIECTIVE ECHIPA


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	Nume autor:	GABRIELA COCA
		Babeş-Bolyai University, Cluj-Napoca, Romania, Reformed Theology and Musical Pedagogy Department. E-mail: Gabriela.coca.66@gmail.com

	21-12-2024


	Articole cu acelaşi autor

	1. EDE TERÉNYI - THE RETROSPECTIVE OF FIVE DECADES OF CREATION. Autori: GABRIELA COCA. 2. INVITATION FOR PUBLISHING. Autori: GABRIELA COCA. *3. EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA”* – CONTENTS AND FORMS (I. PART – “INFERNO”). Autori: GABRIELA COCA. 4. EDE TERÉNYI – MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (II. PART – “PURGATORIO”). Autori: GABRIELA COCA. 5. EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (III. PART – “PARADISO”). Autori: GABRIELA COCA. 6. BOOK REVIEW - MOLNÁR JÁNOS, THE FLOWERS OF THE CHURCH. THE ORNAMENTICAL MOTIFS OF THE APRONS FROM ZSOBOKI (KALOTASZEG), EGYETEMI MŰHELY, BOLYAI TÁRSASÁG – CLUJ-NAPOCA. Autori: GABRIELA COCA. 7. FRYDERYK CHOPIN, A FORERUNNER OF THE HARMONY OF THE 20TH CENTURY (DEDICATED TO FRYDERYK CHOPIN’S 200TH BIRTH ANNIVERSARY). Autori: GABRIELA COCA. 8. MUSICAL SENSIBILITY OF THE BALLADIC IN THE LIEDS OF FRANZ SCHUBERT: ERLKÖNIG, OP. 1. Autori: GABRIELA COCA. 9. BOOK REVIEWS: INFORMATICS AND COMMUNICATION TECHNOLOGIES IN THE MUSIC, NO 1/2010, ED. MEDIAMUSICA, CLUJ-NAPOCA. Autori: GABRIELA COCA. 10. THE INGENUITY OF THE TONAL PLAN OF THE DEVELOPMENT SECTIONS OF THE SONATA FORMS OF PIANO SONATAS BY W. A. MOZART. Autori: GABRIELA COCA. 11. BOOK REVIEW: EDITORIAL EXPLOSION . Autori: GABRIELA COCA. 12. A PROFILE SKETCH IN THE MIRROR OF ONE WORK: SINUS FOR CLARINET SOLO BY CRISTIAN MISIEVICI. Autori: GABRIELA COCA. 13. HAD I BEEN RUNNING WATER (HA FOLYÓVÍZ VOLNÉK...) EQUAL VOICES CHOIR, OP. 1. BY EDE TERÉNYI (1954). Autori: GABRIELA COCA. 14. BOOK REVIEW - THE GUIDE OF THE FOLKLORE LOVERS. Autori: GABRIELA COCA. 15. FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY''S SEVEN EASY CHORAL PIECES FOR CHILDREN. Autori: GABRIELA COCA. 16. BOOK REVIEW - CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA. Autori: GABRIELA COCA. 17. BOOK REVIEW - CONSTANŢA CRISTESCU, BIZANTINE SOURCES IN THE ENESCIAN METAMORPHOSES. Autori: GABRIELA COCA. 18. BOOK REVIEW - CONSTANŢA CRISTESCU: SIGISMUND TODUŢĂ AND THE LITURGICAL STYLE OF BLAJ. Autori: GABRIELA COCA. 19. THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT. Autori: GABRIELA COCA. 20. BOOK REVIEW -CIPRIAN PORUMBESCU UNKNOWN) PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X). Autori: GABRIELA COCA. 21. THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH. Autori: GABRIELA COCA. 22. “PASSACAGLIA” IN THE OPERA OF THE 20th CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN. Autori: GABRIELA COCA. 23. GEO GOIDACI. THE FUSION OF THE ARTS: SCULPTURE AND MUSIC; GRAPHIC, PHOTO AND DIGITAL ART - INTERVIEW -. Autori: GABRIELA COCA. 24. THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS. Autori: GABRIELA COCA. 25. “INTERESTING” HARMONIC AND TONAL SOLUTIONS IN PYOTR ILYICH TCHAIKOVSKY’S ALBUM FOR CHILDREN, OP. 39. Autori: GABRIELA COCA. 26. EDE TERÉNYI IS 80 YEARS OLD. A LIFE SERVING ART, TEACHING AND THE MUSICAL SCIENCES. Autori: GABRIELA COCA. 27. BOOK REVIEW: FILMHANG-LEXIKON BY AARON FAZAKAS (THE ENCYCLOPAEDIA OF MOVIESOUNDS). Autori: GABRIELA COCA. 28. BOOK REVIEW*: FOLKLORE USAGE IN ROMANIAN COMPOSING SINCE CIPRIAN PORUMBESCU TO OUR DAYS, (COMPONISTICA ROMÂNEASCĂ DE VALORIFICARE A FOLCLORULUI, DE LA CIPRIAN PORUMBESCU PÂNĂ ÎN ZILELE NOASTRE), ED. LIDANA, SUCEAVA, 2015. Autori: GABRIELA COCA. 29. THE FORMAL, TONAL AND HARMONIC LOGIC OF ROBERT SCHUMANN’S FRAUENLIEBE UND LEBEN (A WOMAN’S LOVE AND LIFE), OP. 42.* Autori: GABRIELA COCA. 30. ZOLTÁN GÁRDONYI’S CHAMBER MUSIC: A FANTASIA FOR VIOLIN AND ORGAN INSPIRED BY THE TUNE OF THE HYMN ENTITLED: „AZ ÉN IDŐM, MINT A SZÉP NYÁR” (”MY TIME IS LIKE THE SHINY SUMMER”). Autori: GABRIELA COCA. *31. TONAL LOGIC IN FRANZ SCHUBERT’S IMPROMPTUS* (D 899). Autori: GABRIELA COCA. 32. EDE TERÉNYI: PLAY SONGS FOR CHILDREN’S CHOIR AND PERCUSSION INSTRUMENTS 1. LITTLE SUITE – COMPOSITION TECHNIQUE. Autori: GABRIELA COCA. 33. MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS). Autori: GABRIELA COCA. 34. THE FORMAL, TONAL, AND HARMONIC LOGIC OF L. VAN BEETHOVEN’S AN DIE FERNE GELIEBTE (TO THE DISTANT BELOVED) (OP. 98) SONG CYCLE. Autori: GABRIELA COCA. 35. ZOLTÁN KODÁLY: HUSZT – A CHORAL WORK COMPOSED ON A POEM BY FERENC KÖLCSEY. Autori: GABRIELA COCA. 36. THE RELATIONSHIP BETWEEN COLOUR AND MUSIC IN THE ART OF COMPOSER EDE TERÉNYI. Autori: GABRIELA COCA**.




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