AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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STUDIA MUSICA - Ediţia nr.1 din 2009 | |||||||
Articol: |
EDE TERÉNYI - MONO-OPERA “LA DIVINA COMMEDIA”. FORMA ȘI CONȚINUTUL (PARTEA A II-A - “PURGATORIO”) / EDE TERÉNYI – MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (II. PART – “PURGATORIO”). Autori: GABRIELA COCA. |
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Rezumat: Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of his life, the composer came back thorough his creations to this subject. His impressions were transposed both in a colour visual form – by creating a series of twenty-five pictures that were entitled Dantesca, and also in a musical sonorous form by composing the mono-opera La Divina Commedia. Not only this musical work but also many other musical works from the 1971-2004 have the print of the work of Dante. This study has the short and the analytical presentation of the mono-opera La Divina Commedia by the mirroring of the pictures in the series Dantesca that were signed by the composer. Keywords: Ede Terényi, La Divina Commedia, Mono-Opera, Dantesca, Purgatorio, analysis, musical form, harmony, structural conception |
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