AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
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STUDIA THEOLOGIA%20REFORMATA%20TRANSYLVANICA - Ediţia nr.1 din 2019 | |||||||
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INTERPRETAREA PICTURILOR DIN CATACOMBE CA PREDICI VIZUALIZATE / A KATAKOMBAFESTMÉNYEK MINT „VIZUÁLIS PRÉDIKÁCIÓK” ÉRTELMEZÉSE. Autori: LUKÁCS OLGA. |
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Rezumat: VIEW PDF DOI: 10.24193/subbtref.64.1.17 Published Online: 2019-02-28 Published Print: 2019-02-28 pp. 274-288 FULL PDF Several viewpoints took shape about the pictures and icons during the history of Christianity. The image representations have been subject to debate not only among religions but among the various Christian approaches, too. This debate flamed up quite strongly in different times in history. The study aims to determine the extent to which the icons and representations are rooted in Christian tradition. The study points out that early Christian art did not appear and develop in a void. It was the outward manifestation of a new spirituality as well as the result of a development process that occurred when the local cultures of the ancient world got in contact with each other. It is essential to point out that in icon painting as well as in the paintings in the catacombs the message of the icons was also perfectly grasped by those who did not study painting or were not very skillful painters, but still observed the iconographic traditions while those who the painting were addressed to accepted them. One can assess Early Christian art by the very few frescos remaining in the catacombs in Rome. They used pagan symbols as well as some themes of Greek and Roman mythology in order to convey the teachings of the church. They also used the ancient forms of art, loading them with a new content subsequently altering the respective forms as well. The art of the catacombs was actually dogmatic art since the theme depicted on the frescos mostly followed the texts of the scripture. Furthermore, the symbolic language had a paramount importance. The works of art created in the first centuries can also be considered as “visual sermons” that helped them explain God verbally and drive them to God. Keywords: Catacomb Paintings, visual sermons, frescos, iconography, Christian symbol |
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