AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
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STUDIA MUSICA - Ediţia nr.2 din 2019 | |||||||
Articol: |
THE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHN. Autori: NOÉMI KARÁCSONY. |
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Rezumat: DOI: 10.24193/subbmusica.2019.2.10 Published Online: 2019-12-10 Published Print: 2019-12-20 pp. 189-200 VIEW PDF: FULL PDF The present paper aims to reveal some of the features which characterize the Mélodies of the French composer Reynaldo Hahn. Although his work comprises several genres, instrumental and vocal alike, these refined and sensitive vocal miniatures are most often associated with Hahn’s name. Composer, conductor and music critic, himself a singer, the fascinating personality and intelligence of the composer is reflected in his works. His Mélodies mirror Hahn’s preoccupation regarding the relationship between poetry and music, between the spoken and the sung words. In the master’s opinion, music should emphasize the deep, hidden meanings beyond the words, thus in his vocal miniatures he strives for a truthful evocation of that which remains unspeakable. Keywords: Reynaldo Hahn, French, poetry, Mélodie |
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