AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
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STUDIA SOCIOLOGIA - Ediţia nr.2 din 2019 | |||||||
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TORTUOUSLY TURNING REALITY INTO THEATRE: THE CASE OF NICOLETA ESINENCU. Autori: IULIA POPOVICI. |
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Rezumat: DOI: 10.2478/subbs-2019-0009 Published Online: 2019-12-30 Published Print: 2019-12-30 pp. 41-62 VIEW PDF: FULL PDF ABSTRACT. How do the professionals of the theatre of the real deal with the dilemmas raised by the techniques and ethics of representation that lie at the heart of this particular drama genre? There is little in the available scholarship to provide much guidance in this regard. This article addresses the question and the gap encased within it by examining the critical case of Nicoleta Esinencu, one of the most high profile contemporary drama directors of this kind in Eastern and Central Europe. Focused on the work done by Esinencu at the avant-garde Laundry-Theatre in Kishinev, the analysis dwells on the ethics of documentary work and of representing real life people, the information-gathering process, the choice of topics and the societal implications of the performance. Furthermore, the article captures the bespoke interdisciplinarity of ethnographic research and drama studies while unearthing unsuspected tensions between the claims about representing authentic experiences made by the theatre of the real and the actual perceptions of the professionals. Keywords: documentary theatre, ethics of representation, performative practices, Laundry-Theatre, Nicoleta Esinencu |
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