AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
|||||||
STUDIA PHILOLOGIA - Ediţia nr.1 din 2013 | |||||||
Articol: |
RECENZIE - NAGAI KAFŪ, O POVESTE NEOBIșNUITĂ LA RĂSĂRIT DE RÂUL SUMIDA TRADUCERE DE RODICA FRENŢIU, CLUJ-NAPOCA: CASA CĂRŢII DE ȘTIINŢĂ, 2011, 85 P.. Autori: . |
||||||
Rezumat: Japanese literature has a special force of seduction which will eventually entrap its reader and turn the pleasure of reading into an addiction. Nagai Kafū, esteemed writer of the early 20th century, in his A Strange Tale from East of the River (Bokutō Kidan) creates a world particular of the Japanese sensibility, a world with which some may encounter difficulties to relate, especially those new to this area of literature. The novel, published in 1937, surprises in its structure. The most appealing compo¬¬sitional device is the insertion of a novel within the novel (Shissō / Disappearance) and that of other literary fragments and poems. Being written as a first person narrative, the autobiographical touch strengthens the well-acclaimed sensation of authenticity and comes to the reader’s aid in his process of connecting to the fictional world depicted. The oscillation between the ‘I’ from the frame novel and that from the inner novel denotes a characteristic of the Japanese prose and verse, namely ambiguity. | |||||||