AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI
În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului.
Autori: MONICA OLIVIA GRECEA.
DOI: 10.24193/subbdrama.2022.2.07
Published Online: 2022-11-30
Published Print: 2022-12-30
pp. 111-121
VIEW PDF
FULL PDF
When I feel like crying it’s political is a performance created through devised techniques, combining director-driven dramaturgy with content generated by the actresses-performers, in a process shifting the role of the director into one of a curator. Centered on self-representation, the work proposes a frame for empowerment while approaching sensible themes, such as the hierarchy of power in theatrical contexts (vocational schools and professional theatres) and the objectification of female performers. This paper contextualizes the concept and artistic process of the work, while proposing a work model based on care and owning differences.
Keywords: self-representation, performative theatre, agency, feminism, divergence, empowerment, pedagogy of care.
