AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
|||||||
STUDIA DRAMATICA - Ediţia nr.2 din 2022 | |||||||
Articol: |
PARADIGMS OF EDUCATION IN THE ART OF ACTING. Autori: CĂTĂLIN CODREANU. |
||||||
Rezumat: DOI: 10.24193/subbdrama.2022.2.01 Published Online: 2022-11-30 Published Print: 2022-12-30 pp. 9-28 VIEW PDF FULL PDF Embedded in interculturality and transculturality, this paper focuses on the actor’s training, on facing, understanding and assimilating the theater lessons of the Far East, especially those of the Nō theater, based on the constructive encounters with them by practicing the Tadashi Suzuki (b. 1939) method, Japanese martial arts, researching Zen philosophy and the writings of Zeami Motokiyo (1363-1443). This article points out the similarity between certain paradigms of the Western theatricality with those of the Far Eastern one (holism, body-mind, here and now, flow, imaginary) as well as their fusion with other paradigms due to the interdisciplinary transfer existing between martial arts (aikidō and iaidō), Japanese culture, and the art of acting (shin-waza-tai, shoshin, ichigo ichie). The way in which fixed forms relate to imagination (kata), specific to both Far Eastern theater and martial arts (aikidō and iaidō), is also very important. This research highlights the essential nature of the fixed form for the impulses of imagination and creative freedom. Keywords: interculturality, art of acting, Zen, Nō theater, martial arts, holism, body-mind, imagination. |
|||||||