AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Autori: OLGA GRĂDINARU.
DOI: 10.24193/subbdrama.2019.2.05
Published Online: 2019-12-15
Published Print: 2019-12-30
pp. 101-118
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The anti-fascist organization The Young Guard (Molodaya gvardia) in a Ukrainian town, is the main focus of the present analysis, offering a glimpse into the Soviet myth-making and hero-making cycle. The article unveils the ideological and cultural patterns during the Soviet period, with a focus on A. Fadeyev’s novel and on the Soviet and post-Soviet film adaptations. The case of The Young Guard organization generated a frenzy of artistic representations throughout the Soviet Union, with various degrees of demystification during the post-Soviet period. The paper highlights the differences in describing and perceiving the heroic/heroicized death in various historical periods. Soviet propaganda traits and Socialist Realism patterns are revealed as part of the Soviet cult of World War II, as well as demystifying steps in approaching the myth of The Young Guard in post-Soviet filmic productions.
Keywords: The Young Guard, heroicized death, ideological fictionalization, demystification, cult of Great Patriotic War, Soviet material culture
