AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Autori: ROBERTO BACCI.
DOI: 10.24193/subbdrama.2018.2.07
Published Online: 2018-10-30
Published Print: 2018-10-30
pp. 133-150
VIEW PDF: FULL PDF
The present paper presents the journey of an Italian director in Romanian theatre, from the first encounter with Romanian great performances abroad, in Festivals, to the work on stage with Romanian actors, and for a Romanian audience, in Cluj-Napoca. The National Theatre in Cluj-Napoca offered the place of this encounter of different energies, ways of living, making and approaching theatre, and the space for an artistic challenge: to work not only in the experimental way the director was used to at the Laboratory in Pontedera, but to find the right path in the more strict system of a Repertory Theatre and for a much larger audience in a shorter laps of time. This journey is not only about theatrical places but also and mainly about people met there, about exchanges, work, challenges, wishes, artistic results in the past and the present and projections in the future.
Keywords: Romanian Theatre, National Theatre in Cluj-Napoca, Theatre Laboratory, Era di Pontedera.
