AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Autori: ALEXANDRA FELSEGHI.
DOI: https://doi.org/10.24193/subbdrama.2017.1.05
VIEW PDF: DEVISED THEATRE – A SHORT INTRODUCTION
The aim of the following article is to define the concept of devised theatre, as well as outlining a brief history, and providing a description of the main elements which constitute a collective performance. It also brings in discussion the member roles in a group that practices devised theatre, and the technique they use in creating a performance.
Keywords: Devised theatre, collective author, theatre, performance, independent theatre, actor – director relationship, contemporary theatre aesthetic, authorship.
References:
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Modreanu, Cristina. Utopii performative. Artişti radicali ai scenei americane în secolul 21. Bucureşti: Editura Humanitas, 2014.
Oddey, Alison. Devising theatre: A practical and theoretical handbook. London: Routledge, 1994.
Popovici, Iulia, “Theatre-Makers, Directors and the Independent Theatre. The Founding Narrative.” In Sfârşitul regiei, începutul creaţiei colective în teatrul european / The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre. Edited by Iulia Popovici, 223-234. Cluj-Napoca: Tact, 2015.
Radosavljević, Duška. “Theatre-Making: The End of Directing as We Know It.” In Sfârşitul regiei, începutul creaţiei colective în teatrul european / The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre. Edited by Iulia Popovici, 179-197. Cluj-Napoca: Tact, 2015.
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Published Online: 2017-03-17
