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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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STUDIA PHILOSOPHIA - Ediţia nr.2 din 2016 | |||||||
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THE THREE SHADOWS FROM THE PICTURE OF DORIAN GRAY. Autori: . |
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Rezumat: Oscar Wilde’s novel The Picture of Dorian Gray (1891) becomes especially interesting when one analyzes it through the hermeneutical lenses of The Garden of Eden complex. The comparison between Dorian’s decreation and the Fall of Adam and Eve was not yet researched taking into consideration the Hegelian-Kierkegaardian insights about “lost innocence” and “revolutionary freedom”. I have also investigated the ideal of “total existence” proposed by Lord Henry Wotton and his Symbolist eulogy of Beauty. Moreover, the Jungian concept of the shadow was used to explain the dynamics between the two main characters of the novel. The destruction of ethics, which reminds us of Nietzsche and Rimbaud and the final Kierkegaardian collapse of aestheticism transforms Oscar Wilde into a complex author who deserves a thorough philosophical analysis. Keywords: The Fall, Jungian shadow, decreation, awakening, individualism, aestheticism, ethics, symbolism, new Hedonism, nihilism, transfer of personality, psychology of influence, demonism, theosis, existentialism
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