![]()
AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
Rezumat articol ediţie STUDIA UNIVERSITATIS BABEŞ-BOLYAI În partea de jos este prezentat rezumatul articolului selectat. Pentru revenire la cuprinsul ediţiei din care face parte acest articol, se accesează linkul din titlu. Pentru vizualizarea tuturor articolelor din arhivă la care este autor/coautor unul din autorii de mai jos, se accesează linkul din numele autorului. |
|||||||
STUDIA HISTORIA - Ediţia nr.3 din 2005-2006 | |||||||
Articol: |
CONSIDERAŢII GENERALE CU PRIVIRE LA ARHITECTURA COMUNITĂŢILOR DE RROMI DIN TRANSILVANIA. Autori: IOANA SAVU. |
||||||
Rezumat: The study “General considerations concerning the rroma architecture in Transylvania” presents a less researched subject in Romania – the rroma community and the architecture practiced by their elites in post-communist period. We approach this subject analyzing and describing the rroma art, especially on Transylvanian territory. We took in consideration the interest that the Romanian society shows for this national minority and for this new artistic phenomenon. We tried to present the Romanian’s and in the same time the rroma’s reactions in front of these new buildings – “gipsy palaces”. The Romanian mass media often approached and presented the subject, but they showed more interest in the social and political impact that these new buildings have on the majority and less on the artistic or the aesthetic impact and their importance as symbolical gesture from the rroma community. We considered that the rroma art could be valorised only in the specific coordinates of the rroma community, their reality, their culture and their history. We didn’t try to establish any aesthetic criteria concerning the rroma production we just tried to present a different artistic phenomenon in contemporary Romanian society and to find some specific elements for gypsy’s art. | |||||||
![]() |
|||||||