1.  EDE TERÉNYI - THE RETROSPECTIVE OF FIVE DECADES OF CREATION.

          Authors: GABRIELA COCA.

2.  INVITATION FOR PUBLISHING.

          Authors: GABRIELA COCA.

3.  EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” – CONTENTS AND FORMS (I. PART – “INFERNO”).

          Authors: GABRIELA COCA.

4.  EDE TERÉNYI – MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (II. PART – “PURGATORIO”).

          Authors: GABRIELA COCA.

5.  EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (III. PART – “PARADISO”).

          Authors: GABRIELA COCA.

6.  BOOK REVIEW - MOLNÁR JÁNOS, THE FLOWERS OF THE CHURCH. THE ORNAMENTICAL MOTIFS OF THE APRONS FROM ZSOBOKI (KALOTASZEG), EGYETEMI MŰHELY, BOLYAI TÁRSASÁG – CLUJ-NAPOCA.

          Authors: GABRIELA COCA.

7.  FRYDERYK CHOPIN, A FORERUNNER OF THE HARMONY OF THE 20TH CENTURY (DEDICATED TO FRYDERYK CHOPIN’S 200TH BIRTH ANNIVERSARY).

          Authors: GABRIELA COCA.

8.  MUSICAL SENSIBILITY OF THE BALLADIC IN THE LIEDS OF FRANZ SCHUBERT: ERLKÖNIG, OP. 1.

          Authors: GABRIELA COCA.

9.  BOOK REVIEWS: INFORMATICS AND COMMUNICATION TECHNOLOGIES IN THE MUSIC, NO 1/2010, ED. MEDIAMUSICA, CLUJ-NAPOCA.

          Authors: GABRIELA COCA.

10.  THE INGENUITY OF THE TONAL PLAN OF THE DEVELOPMENT SECTIONS OF THE SONATA FORMS OF PIANO SONATAS BY W. A. MOZART.

          Authors: GABRIELA COCA.

11.  BOOK REVIEW: EDITORIAL EXPLOSION .

          Authors: GABRIELA COCA.

12.  A PROFILE SKETCH IN THE MIRROR OF ONE WORK: SINUS FOR CLARINET SOLO BY CRISTIAN MISIEVICI.

          Authors: GABRIELA COCA.

13.  HAD I BEEN RUNNING WATER (HA FOLYÓVÍZ VOLNÉK...) EQUAL VOICES CHOIR, OP. 1. BY EDE TERÉNYI (1954).

          Authors: GABRIELA COCA.

14.  BOOK REVIEW - THE GUIDE OF THE FOLKLORE LOVERS.

          Authors: GABRIELA COCA.

15.  FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY''S SEVEN EASY CHORAL PIECES FOR CHILDREN.

          Authors: GABRIELA COCA.

16.  BOOK REVIEW - CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA.

          Authors: GABRIELA COCA.

17.  BOOK REVIEW - CONSTANŢA CRISTESCU, BIZANTINE SOURCES IN THE ENESCIAN METAMORPHOSES.

          Authors: GABRIELA COCA.

18.  BOOK REVIEW - CONSTANŢA CRISTESCU: SIGISMUND TODUŢĂ AND THE LITURGICAL STYLE OF BLAJ.

          Authors: GABRIELA COCA.

19.  THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT.

          Authors: GABRIELA COCA.

20.  BOOK REVIEW -CIPRIAN PORUMBESCU UNKNOWN) PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X).

          Authors: GABRIELA COCA.

21.  THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH.

          Authors: GABRIELA COCA.

22.  “PASSACAGLIA” IN THE OPERA OF THE 20th CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN.

          Authors: GABRIELA COCA.

23.  GEO GOIDACI. THE FUSION OF THE ARTS: SCULPTURE AND MUSIC; GRAPHIC, PHOTO AND DIGITAL ART - INTERVIEW -.

          Authors: GABRIELA COCA.

24.  THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS.

          Authors: GABRIELA COCA.

25.  “INTERESTING” HARMONIC AND TONAL SOLUTIONS IN PYOTR ILYICH TCHAIKOVSKY’S ALBUM FOR CHILDREN, OP. 39.

          Authors: GABRIELA COCA.

26.  EDE TERÉNYI IS 80 YEARS OLD. A LIFE SERVING ART, TEACHING AND THE MUSICAL SCIENCES.

          Authors: GABRIELA COCA.

27.  BOOK REVIEW: FILMHANG-LEXIKON BY AARON FAZAKAS (THE ENCYCLOPAEDIA OF MOVIESOUNDS).

          Authors: GABRIELA COCA.

28.  BOOK REVIEW: FOLKLORE USAGE IN ROMANIAN COMPOSING SINCE CIPRIAN PORUMBESCU TO OUR DAYS, (COMPONISTICA ROMÂNEASCĂ DE VALORIFICARE A FOLCLORULUI, DE LA CIPRIAN PORUMBESCU PÂNĂ ÎN ZILELE NOASTRE), ED. LIDANA, SUCEAVA, 2015.

          Authors: GABRIELA COCA.

29.  THE FORMAL, TONAL AND HARMONIC LOGIC OF ROBERT SCHUMANN’S FRAUENLIEBE UND LEBEN (A WOMAN’S LOVE AND LIFE), OP. 42.

          Authors: GABRIELA COCA.

30.  ZOLTÁN GÁRDONYI’S CHAMBER MUSIC: A FANTASIA FOR VIOLIN AND ORGAN INSPIRED BY THE TUNE OF THE HYMN ENTITLED: „AZ ÉN IDŐM, MINT A SZÉP NYÁR” (”MY TIME IS LIKE THE SHINY SUMMER”).

          Authors: GABRIELA COCA.

31.  TONAL LOGIC IN FRANZ SCHUBERT’S IMPROMPTUS (D 899).

          Authors: GABRIELA COCA.

32.  EDE TERÉNYI: PLAY SONGS FOR CHILDREN’S CHOIR AND PERCUSSION INSTRUMENTS 1. LITTLE SUITE – COMPOSITION TECHNIQUE.

          Authors: GABRIELA COCA.

33.  MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS).

          Authors: GABRIELA COCA.

34.  THE FORMAL, TONAL, AND HARMONIC LOGIC OF L. VAN BEETHOVEN’S AN DIE FERNE GELIEBTE (TO THE DISTANT BELOVED) (OP. 98) SONG CYCLE.

          Authors: GABRIELA COCA.

35.  ZOLTÁN KODÁLY: HUSZT – A CHORAL WORK COMPOSED ON A POEM BY FERENC KÖLCSEY.

          Authors: GABRIELA COCA.

36.  THE RELATIONSHIP BETWEEN COLOUR AND MUSIC IN THE ART OF COMPOSER EDE TERÉNYI.

          Authors: GABRIELA COCA.