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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2022 | |||||||
Article: |
THE FORMAL, TONAL, AND HARMONIC LOGIC OF L. VAN BEETHOVEN’S AN DIE FERNE GELIEBTE (TO THE DISTANT BELOVED) (OP. 98) SONG CYCLE. Authors: GABRIELA COCA. |
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Abstract: DOI: 10.24193/subbmusica.2022.1.16 Published Online: 2022-06-30 Published Print: 2022-06-30 pp. 243-262 VIEW PDF FULL PDF Abstract: This paper is an analysis of Beethoven''s song cycle An die ferne Geliebte (To the Distant Beloved), op. 98, formally, tonally and harmonically. After a brief introduction, the author takes the songs in order, describing them analytically, placing the interesting and idiosyncratic arrangements in the light of the lyrics. She draws dramaturgical parallels between the text and the musical arrangements. Finally, she illustrates her analysis with formal and tonal summary tables and graphs, thus helping to understand and summarise the songs Key words: Beethoven, An die ferne Geliebte, To the Distant Beloved, op. 98, harmony, musical forms, tonal logic |
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