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    STUDIA MUSICA - Issue no. 2 / 2009  
         
  Article:   EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (III. PART – “PARADISO”).

Authors:  GABRIELA COCA. 		 
       
         
  Abstract:  Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of his life, the composer came back thorough his creations to this subject. His impressions were transposed both in a colour visual form – by creating a series of twenty-five pictures that were entitled Dantesca, and in a musical sonorous form by composing the mono-opera La Divina Commedia. Not only this musical work but also many other musical works from the 1971-2004 have the print of the work of Dante. This study has the short and the analytical presentation of the mono-opera La Divina Commedia by the mirroring of the pictures in the series Dantesca that were signed by the composer.

Keywords: Ede Terényi, Divina Commedia, Paradiso, form, structure
  
         
     
         
         
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