Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
You can see below the table of contents of the STUDIA the issue selected. In order to view the summary of an article, you can access the link from its title. In order to obtain a synthesis on an article writer, accessing the link from the author's name will show all the archive articles of that article's author/co-authors.
     
     
  STUDIA DRAMATICA - Issue no.1 / 2015 - Table of contents
     
     
 
1.  SELECTIVE BRECHTIANISM: REWORKING MOTHER SAVAGE FOR THE GERMAN STAGE.
          Authors: BRONWYN TWEDDLE.


2.  YOSHI OIDA, PORTRAIT OF THE ACTOR AS AN INITIATED HUMAN BEING / YOSHI OIDA, PORTRAIT DE L’ACTEUR EN INITIÉ.
          Authors: FABRICE NOWAK.


3.  THE ACTOR’S CONSCIOUS BODY / LE CORPS CONSCIENT DE L’ACTEUR.
          Authors: OANA POCAN.


4.  ASPECT OF THE BODY AND QUALITY OF THE SOUL IN SOME COMIC AND TRAGIC-COMIC 17TH-CENTURY FRENCH PLAYS / ASPECT DU CORPS ET QUALITÉ DE L’ÂME DANS QUELQUES PIÈCES COMIQUES ET TRAGICOMIQUES DU XVIIE SIÈCLE FRANÇAIS.
          Authors: ANISSA JAZIRI.


5.  THE PLASTIC BODY IN BECKETT’S DRAMA: IMAGE, MATERIAL, MOVEMENT, GESTURE / LE CORPS PLASTIQUE DANS L’ŒUVRE DRAMATIQUE DE BECKETT : IMAGE, MATIÈRE, MOUVEMENT, GESTE.
          Authors: CHRISTOFI CHRISTAKIS.


6.  THE ACTING BODY BETWEEN VIRTUAL AND ACTUALITY / CORPS EN ACTE, ENTRE VIRTUEL ET ACTUEL.
          Authors: ESZTER HORVÁTH.


7.  BODIES OF WITCHES, BETWEEN HORROR AND BEAUTY. FROM PAINTING TO CINEMA, AVATARS OF AN ICONOGRAPHIC TRADITION / CORPS DE SORCIÈRES, ENTRE HORREUR ET BEAUTÉ. DE LA PEINTURE AU CINÉMA, AVATARS D’UNE TRADITION ICONOGRAPHIQUE.
          Authors: IOAN POP-CURŞEU.


8.  REPRESENTATION OF THE BODY IN THE CINEMATOGRAPHIC STAGING OF PROUST’ VISION OF TIME / LA FIGURATION DU CORPS DANS LA MISE EN SCÈNE FILMIQUE DU TEMPS PROUSTIEN.
          Authors: MERIAM AZIZI.


9.  «THEY ARE MOVING DÉCOR»: «PLASTIC» BODIES ON STAGE / « ILS SONT DU DECOR QUI BOUGE » : CORPS « PLASTIQUES » EN SCENE.
          Authors: MARIE CLÉREN.


10.  THE POSSIBILITY OF THEATRE, AN ENCOUNTER OF REFLECTION AND CONFRONTATION / LA POSSIBILITÀ DEL TEATRO.
          Authors: ȘTEFANA POP-CURȘEU.


11.  “THEATRE AS A WIDE FIELD OF HUMAN BEHAVIOUR EXPERIENCES”. A DIALOGUE WITH MARIO BIAGINI / « LE THEATRE COMME UN CHAMP TRES LARGE DE PRATIQUES DU COMPORTEMENT HUMAIN ».
          Authors: ȘTEFANA POP-CURȘEU.


12.  “EVERY MOMENT WE ARE IN HAS THE TRANSPARENT SEED OF GRACE”.
          Authors: ȘTEFANA POP-CURȘEU.


13.  “THE ARTIST’S WORK IS RELATED TO CREATING A MORE HUMAN PLACE FOR US HERE”.
          Authors: ȘTEFANA POP-CURȘEU.


14.  “I AM HERE, I WORK, THIS IS MY LIFE”. A DIALOGUE WITH OPHÉLIE MAXO / « JE SUIS LÀ, JE TRAVAILLE, C’EST MA VIE ».
          Authors: ȘTEFANA POP-CURȘEU.


15.  “THE FULFILLMENT COMES WHEN SOMEBODY LOVES WHAT HE IS DOING”.
          Authors: ȘTEFANA POP-CURȘEU.


16.  BOOK REVIEW - TAKE A WALK ON THE SHORTS’ SIDE. CLUJSHORTS INTERNATIONAL SHORT FILM FESTIVAL, 3RD EDITION (23-29 MARCH).
          Authors: DANIEL IFTENE.


17.  BOOK REVIEW - KENAN GÖRGÜN AND THE TURKISH LEGACY OF A BELGIAN WRITER CLUJSHORTS INTERNATIONAL FILM FESTIVAL.
          Authors: SIMINA RĂCHIȚEANU.


18.  BOOK REVIEW - WHEN BOOKS TALK ABOUT THEATRE : THE ACTOR IN FRENCH LITERATURE.
          Authors: DANA MONAH.


 
     
 
 
    Back to previous page