Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA PHILOSOPHIA - Issue no.1 / 2020 - Table of contents
     
     
 
1.  INTRODUCTION TO CINEMA AND PSYCHOANALYSIS: THE WOMAN AS SHADOW OR MASK – THEMATIC DOSSIER.
          Authors: NOEMINA CÂMPEAN.


2.  VERTIGO, MASCULINE PHANTASY, FEMININE MASK / VERTIGO, FANTASME MASCULIN, MASQUE FEMININ.
          Authors: MURIEL MOSCONI.


3.  DARIO ARGENTO AND THE MOTHER-WITCH: PSYCHOANALYSIS OF AN OBSESSIVE IMAGE / DARIO ARGENTO ET LA MÈRE-SORCIÈRE : PSYCHANALYSE D’UNE IMAGE OBSÉDANTE.
          Authors: IOAN POP-CURŞEU.


4.  WORLDS, OBJECTS, AND THEORIES OF FICTION.
          Authors: MIHAI RUSU.


5.  ANOTHER / THE OTHER. THE WOODY ALLEN’S WOMEN / UNE AUTRE / L’AUTRE. LES FEMMES DE WOODY ALLEN.
          Authors: DELIA NAN.


6.  JELINEK AND HANEKE. THE EVISCERATED WOMAN AS THE OBJECT OF GAZE / JELINEK ET HANEKE. LA FEMME ÉVISCÉRÉE COMME OBJET DU REGARD.
          Authors: NOEMINA CÂMPEAN.


7.  JULES ET JIM BY FRANÇOIS TRUFFAUT OR THE UNBEARABLE LIGHTNESS OF THE FEMININE / JULES ET JIM, DE FRANÇOIS TRUFFAUT OU L’INSOUTENABLE LÉGÈRETÉ DU FÉMININ.
          Authors: MIHAELA ȚURCANU LAZAROV.


8.  LOVING THE PERFECT OTHER.
          Authors: GABRIEL LAZĂR.


9.  THE DEMON WOMEN AND THEIR MASQUERADES – A FEW SYMPTOMS OF JAPANESE CINEMA / LES FEMMES DEMONS ET LEURS MASCARADES – QUELQUES SYMPTOMES DU CINEMA JAPONAIS.
          Authors: FLAVIU VICTOR CÂMPEAN.


10.  AI NO CORRIDA AND FEMININE EROTICISM. AROUND A CONTROVERSIAL GLIMPSE OF THE HEAD OF MEDUSA (NAGISA OSHIMA, 1976).
          Authors: LIVIA DIOȘAN.


11.  THE WEFT OF TRUTH AND LIES AND ITS MISDEMEANOURS. ANALYSING THE ROLE AND SCOPE OF LIES IN ABOUT ELLY AND OTHER MOVIES OF ASGHAR FARHADI.
          Authors: IOANA CIOVÂRNACHE.


12.  L’ACTE THÉRAPEUTIQUE ET LOGOTHÉRAPIE TRANS-NOÉTIQUE / THE THERAPEUTIC ACT AND TRANS-NOETIC LOGOTHERAPY.
          Authors: ROLF KÜHN.


13.  ON FRIENDSHIP AND LOVE. PHILOSOPHY FOR / WITH CHILDREN AT THE “OCTAVIAN GOGA” CLUJ COUNTY LIBRARY.
          Authors: ERZSÉBET KEREKES.


14.  CRITICAL HISTORY, SUBVERSION AND SELF-SUBVERSION: THE CURIOUS CASES OF JEAN MABILLON AND RICHARD SIMON (I/II).
          Authors: VERONICA LAZĂR.


15.  L’INDIVIDU, UN SUJET DE DROIT OU UN ANIMAL SYMBOLIQUE ? MALAISE DANS LE DROIT / THE INDIVIDUAL, A SUBJECT OF LAW OR A SYMBOLIC ANIMAL? DISCOMFORT IN THE LAW.
          Authors: JACQUES AMAR.


16.  REENVISIONING ARTISTIC CREATIVITY: MODERN / POSTMODERN IMPLICATIONS OF BALZAC’S “THE UNKNOWN MASTERPIECE”.
          Authors: DALIA JUDOVITZ.


17.  FILM AS A METHOD OF SCIENTIFIC RESEARCH: A LABORATORY FOR POST-MODERN PRACTICES.
          Authors: LIGIA SMARANDACHE.


 
     
 
 
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