Table of contents of the STUDIA UNIVERSITATIS BABES-BOLYAI issue
     
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  STUDIA MUSICA - Issue no.2 / 2019 - Table of contents
     
     
 
1.  FEMALE CHARACTERS IN SERAGLIO GENRE: CHANGING SOCIAL MILIEU AND PUBLIC SPACE FOR WOMEN DURING THE EIGHTEENTH CENTURY.
          Authors: OAK JOO YAP.


2.  GETTING ACQUAINTED WITH THE SOUND OF THE PIANO IN THE HUNGARIAN 5TH GRADE ELEMENTARY SCHOOL MUSIC LESSONS DURING THE 1960S.
          Authors: HENRIETT KISS.


3.  THE REALITY OF THE SUBSTANCE’S PARALOGISM IN VIOLIN MUSIC, THE „CHACONNE IN G MINOR” CASE. A PHENOMENOLOGIC CIRCULARITY ON THE IDEA OF ‚BEAUTY’ IN THE SOUNDS – THE LINE BACH – VITALI - HEIFETZ.
          Authors: MARIA-ROXANA BISCHIN.


4.  CONTEMPORARY AND TRADITIONAL PATTERNS IN BRUNO MADERNA’S VOCAL WORKS.
          Authors: IOANA BADIU-AVRAM.


5.  THE MOST SIGNIFICANT MUSICAL INFLUENCES ON ROMANIAN COMPOSERS DURING THE STALINIZATION YEARS.
          Authors: LOIS PAULA VĂDUVA.


6.  ORIGIN AND DEVELOPMENT OF CHURCH CHORAL SINGING IN THE ROMANIAN COUNTRIES AND TRANSYLVANIA. MUSICOLOGICAL PERSPECTIVES / HERKUNFT UND ENTWICKLUNG DES KIRCHLICHEN CHORGESANGS IN DEN RUMÄNISCHEN LÄNDERN UND SIEBENBÜRGEN. MUSIKOLOGISCHE PERSPEKTIVEN.
          Authors: MIHAI BRIE.


7.  THE INFLUENCE OF THE HRYSANTIC REFORM ON THE RELIGIOUS CHURCH MUSIC IN TRANSYLVANIA.
          Authors: DANIEL MOCANU.


8.  A STUDY OF THE EFFICIENCY OF MUSIC THERAPY, ART AND PLAY THERAPY ON HOSPITALIZED CHILDREN DIAGNOSED WITH CHRONIC ILLNESSES.
          Authors: LOIS PAULA VĂDUVA, ANNAMARIA BALLA.


9.  COMPARATIVE ANALYSIS OF FRYDERYK CHOPIN’S AND JOHN FIELD’S NOCTURNES PART II – CONTINUE FROM PREVIOUS ISSUE.
          Authors: TÍMEA SZILVESZTER.


10.  THE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHN.
          Authors: NOÉMI KARÁCSONY.


11.  THE ENDRE ADY POEMS FEATURED WITHIN LÁSZLÓ HALMOS’ OEUVRE.
          Authors: ÉVA PÉTER.


12.  FIVE SKETCHES FOR PIANO. AN AVANT-GARDE WORK OF PÉTER VERMESY.
          Authors: ATTILA FODOR.


13.  INTERPRETATIVE-ANALYTICAL HYPOSTASES IN “SEPT FRAGMENTS DE TRISTAN TZARA” FOR VOICE AND PIANO BY ADRIAN POP.
          Authors: LAVINIA CHERECHES.


14.  FISSURES FOR ENSEMBLE.
          Authors: ÁRON TÖRÖK-GYURKÓ.


15.  POLARIZATION FOR PIANO.
          Authors: ÁRON TÖRÖK-GYURKÓ.


16.  SPLINTER(S) FOR VIOLIN.
          Authors: ÁRON TÖRÖK-GYURKÓ.


  
     
 
 
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