1.  THE PRINCESS OF THE TUATHA.

          Authors: ADRIAN RADU.

2.  THE POETRY OF THE DISPOSSESSED.

          Authors: ADRIAN RADU.

3.  COSMIC ORDER AND SETTING AS SPIRITUAL AND GEOGRAPHICAL ENTITY IN EMILY BRONTË’S WUTHERING HEIGHTS.

          Authors: ADRIAN RADU.

4.  SCOTTISHNESS: TRADITION, CULTURE AND IDENTITY.

          Authors: ADRIAN RADU.

5.  D. H. LAWRENCE AND ’MÄNNERBUND’.

          Authors: ADRIAN RADU.

6.  AN ANTI-VICTORIAN: EMILY BRONTË AND HOW "WUTHERING HEIGHTS" WAS BEGOTTEN.

          Authors: ADRIAN RADU.

7.  EFFECTS OF USING NARRATIVE PLANS AND NARRATORS IN EMILY BRONTË’S WUTHERING HEIGHTS.

          Authors: ADRIAN RADU.

8.  D. H. LAWRENCE’S MIND AS PACIFIST AND EMERGING ECOLOGIST.

          Authors: ADRIAN RADU.

9.  CULTURE STUDY AND CULTURAL STUDIES.

          Authors: ADRIAN RADU.

10.  ARNOLD’S WESKER’S (ALMOST) FORGOTTEN WORLD ON THE STAGE OR ALL THE STAGE IS A WORLD.

          Authors: ADRIAN RADU.

11.  MICROSTRUCTURAL ANALYSIS OF THE INTERFACE BETWEEN SOME SUPERALLOYS AND COMPOSITE/CERAMIC MATERIALS.

          Authors: ADRIAN RADU.

12.  WHEN STORYTELLING BECOMES HERITAGE.

          Authors: ADRIAN RADU.

13.  REPRESENTATIONS OF WAR AND TRAUMA IN PAT BARKER’S REGENERATION.

          Authors: ADRIAN RADU.