1.  PARADIGMS OF THE TEXT–MUSIC CORRELATION IN HENRY PURCELL’S OPERA DIDO AND AENEAS.

          Authors: ADÉL FEKETE.

2.  THE THEME OF THE ENDLESS COLUMN IN THE WORKS OF CONSTANTIN BRÂNCUŞI AND TIBERIU OLÁH.

          Authors: ADÉL FEKETE.

3.  ARCHITECTURAL FEATURES WITHIN AUREL STROE’S ARCADES.

          Authors: ADÉL FEKETE.

4.  MUSIC THERAPY THROUGHOUT THE CENTURIES.

          Authors: ADÉL FEKETE.

5.  “INTEGRITY, DISCIPLINE AND HUMBLE, CONSTANT HARD WORK – THESE ARE THE SECRETS OF A LONG AND SUCCESSFUL CAREER”.

          Authors: ADÉL FEKETE.

6.  “IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC”.

          Authors: ADÉL FEKETE.

7.  SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS.

          Authors: ADÉL FEKETE.

8.  I. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS FENENA’S PRAYER: OH, DISCHIUSO È IL FIRMAMENTO.

          Authors: ADÉL FEKETE.

9.  II. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS. GISELDA’S PRAYER: SALVE MARIA FROM VERDI’S I LOMBARDI ALLA PRIMA CROCIATA.

          Authors: ADÉL FEKETE.

10.  III. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS. LUCREZIA’S CAVATINA – TU AL CUI SGUARDO ONNIPOSSENTE (ACT I, SCENE 2) FROM VERDI’S I DUE FOSCARI.

          Authors: ADÉL FEKETE.

11.  IV. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS. GIOVANNA’S EVENING PRAYER FROM VERDI’S GIOVANNA D’ARCO (PROLOGUE, SCENE 2).

          Authors: ADÉL FEKETE.