1. THEATRICALITY AS SINE QUA NON DIMENSION IN ION D. SÎRBU’S FICTION / LA THEATRALITE COMME DIMENSION SINE QUA NON DE LA PROSE DE ION D. SIRBU. Authors: EUGEN WOHL.2. THEATRICALITY AND ANTI-THEATRICALITY IN ION D. SÎRBU’S THE ARK OF GOOD HOPE. Authors: EUGEN WOHL.3. TADEUSZ KANTOR AND YOUNG ROMANIAN AUDIENCES / TADEUSZ KANTOR ET LE JEUNE PUBLIC ROUMAIN. Authors: EUGEN WOHL.4. BOOK REVIEW: KATHARZYNA MURAWSKA-MUTHESIUS, NATALIA ZARZECKA (EDITORS), KANTOR WAS HERE. TADEUSZ KANTOR IN GREAT BRITAIN, LONDON, BLACK DOG PUBLISHING, 2011. Authors: EUGEN WOHL.5. PERFORMANCE AND BOOK REVIEWS: SECRET LIVES IN THE VALLEY OF ASTONISHMENT. Authors: EUGEN WOHL.6. “EACH OF US AT CRICOT-2 HAD THEIR OWN PERSONAL KANTOR” INTERVIEW WITH TERESA AND ANDRZEJ WEŁMIŃSKI, RENOWNED ACTORS OF THE CRICOT-2 THEATRE . Authors: EUGEN WOHL.7. PERFORMANCE, FILM AND BOOK REVIEWS. Authors: EUGEN WOHL, IOANA PETCU, EUGEN WOHL, RALUCA SAS-MARINESCU.8. CRICOTEKA – TADEUSZ KANTOR’S “LIVING ARCHIVE”. Authors: EUGEN WOHL.9. INTERVIEW WITH ANDRZEJ KOWALCZYK, VISUAL ARTIST AND THEATRE DIRECTOR. Authors: EUGEN WOHL.10. PERFORMANCE AND BOOK REVIEWS - THREADS, PIECES, SOUNDS, GESTURES, STORIES. Authors: EUGEN WOHL.11. PERFORMANCE AND BOOK REVIEWS - PLAYING IDENTITIES, PERFORMING HERITAGE: MEETINGS THROUGH THEATRE. Authors: EUGEN WOHL.12. PERFORMANCE, FILM AND BOOK REVIEWS. Authors: EUGEN WOHL, IOANA PETCU, EUGEN WOHL, RALUCA SAS-MARINESCU.13. “ONLY IF YOU KNOW WHAT MAKES PLAYS WORK, WILL IT BE POSSIBLE FOR YOU TO GO BEYOND AND EXPERIMENT WITH MORE MODERN FORMS OF PLAYWRITING.” INTERVIEW WITH DR. KIRSTEN HERTEL. Authors: EUGEN WOHL.14. BOOK REVIEW - MIKHAIL BULGAKOV’S STALIN. Authors: EUGEN WOHL.15. BOOK REVIEW - CELEBRATING THE ART OF THEATRE IN HEIDELBERG. Authors: EUGEN WOHL.16. BOOK REVIEW: A LOVE LETTER TO THEATRE. Authors: EUGEN WOHL.17. PERFORMANCE REVIEW: SURPRIZA VIEȚII [THE SURPRISE OF LIFE]. Authors: EUGEN WOHL.