1. INGMAR BERGMAN’S THE RITE (1969): THE ACTOR-AS-ACTOR BETWEEN ANAGNORISIS AND THE FRAGILITY OF IDENTIFICATION /LE RITE (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’ANAGNORISIS ET LA FRAGILITÉ DE L’IDENTIFICATION. Authors: NOEMINA CÂMPEAN.2. THE ABYSS OF THE CONSCIOUSNESS-TIME WITHIN THE CRYSTAL-IMAGE: KRZYSZTOF ZANUSSI AND WERNER HERZOG. Authors: NOEMINA CÂMPEAN.3. ARGUMENT: MISFORMING UNIQUENESS. Authors: NOEMINA CÂMPEAN, FLAVIU CÂMPEAN.4. INTRODUCTION TO CINEMA AND PSYCHOANALYSIS: THE WOMAN AS SHADOW OR MASK – THEMATIC DOSSIER. Authors: NOEMINA CÂMPEAN.5. JELINEK AND HANEKE. THE EVISCERATED WOMAN AS THE OBJECT OF GAZE / JELINEK ET HANEKE. LA FEMME ÉVISCÉRÉE COMME OBJET DU REGARD. Authors: NOEMINA CÂMPEAN.