AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: MARTIN MEISER.
DOI: 10.24193/theol.cath.latina.2022.LXVII.2.02
Available online 28.12.2022
Available print 30.12.2022
pp. 32-64
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Abstract: New Testament texts were mostly not read silently but heard aloud. Accordingly, some of them, especially the Gospel of Mark, still bear the traces of this form of communication and are also calculated to do so. The listeners reacted with emotional statements. The new Biblical Performance Criticism that has emerged in the USA makes these insights the basis of interpretation, in distinction from approaches that are too strongly literary. The present article seeks to raise the profit of this interpretation for textual interpretation and tries to integrate the insights of Biblical Performance Criticism into conventional exegesis of the Gospel of Mark.
Keywords: Gospel of Mark, Biblical Performance Criticism, Narrative Criticism, Ancient anti-Christian critique
