AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOSOPHIA - Issue no. Special Issue / 2016 | |||||||
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THE ARTIST AS CURATOR IN POST-INTERNET ART. Authors: . |
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Abstract: The Artist as Curator in Post-Internet Art. The aim of this essay is an examination of the idea of the artist as curator in the contemporary phenomenon called post-internet art. First of all I will focus on the conditions in which post-internet art reverses the concept of creativity with that of selection, as it also alters the role of the gallery, which becomes ‘a point of departure, not a destination’ (D. Quaranta). Secondly, I will turn to a conceptual analysis and a comparative analysis of the objects of post-internet art and Duchamp’s ready mades. The idea of the artist as curator is relevant in the context of contemporary art because it causes a chasm between the traditional approaches of the artist and of the objects that fall into the category of the term art. Keywords: artist, curator, post-internet, readymade, uncreativity
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