STUDIA UNIVERSITATIS

The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary

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STUDIA PHILOSOPHIA - Issue no. 1 / 2023

Article:

THE RECEPTION OF PARTICIPATORY ART. THE CASE OF DOCUMENTA FIFTEEN.

Authors: GIZELA HORVÁTH.

Abstract: DOI: 10.24193/subbphil.2023.1.07
Available online 2023-04-25
pp. 97-112

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ABSTRACT. Documenta fifteen in 2022 was par excellence the space for participatory art, so this edition can be seen as a touchstone for it. The research of the phenomenon of participatory art is based in this text on the one hand on the curatorial texts of ruangrupa, the collective that ensured the artistic direction of this edition of the documenta, and on the personal experience of the author as a visitor of the exhibition. Among the many issues raised by participatory art, the present text focuses on the aspect of reception of art in the case of the projects presented at documenta fifteen, and by extension, reflects on the experience of the receiver and the artistic value of participatory art projects.

Keywords: participatory art, documenta fifteen, lumbung, reception of art, evaluation of participatory art

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	The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.


	STUDIA PHILOSOPHIA - Issue no. 1 / 2023

	Article:	THE RECEPTION OF PARTICIPATORY ART. THE CASE OF DOCUMENTA FIFTEEN. Authors: GIZELA HORVÁTH.


	Abstract: DOI: 10.24193/subbphil.2023.1.07 Available online 2023-04-25 pp. 97-112 VIEW PDF FULL PDF ABSTRACT. Documenta fifteen in 2022 was par excellence the space for participatory art, so this edition can be seen as a touchstone for it. The research of the phenomenon of participatory art is based in this text on the one hand on the curatorial texts of ruangrupa, the collective that ensured the artistic direction of this edition of the documenta, and on the personal experience of the author as a visitor of the exhibition. Among the many issues raised by participatory art, the present text focuses on the aspect of reception of art in the case of the projects presented at documenta fifteen, and by extension, reflects on the experience of the receiver and the artistic value of participatory art projects. Keywords: participatory art, documenta fifteen, lumbung, reception of art, evaluation of participatory art




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