AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary
The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.
Authors: ANDA OLIMPIA POP, IGNÁC CSABA FILIP.
DOI: 10.24193/subbmusica.2022.spiss2.09
Published Online: 2022-12-20
Published Print: 2022-12-30
pp. 127-141
VIEW PDF
FULL PDF
Abstract: This article is addressed to pedagogues, students, and professional singers and draws attention to the tight connection between the functionality of the larynx and the cybernetic circuits of the ear. During the training periods of a singer, and then throughout one’s career, we deal with sound intonation flaws very many times. These are due not only to a flawed vocal technique or amusia, but also to flaws of audio-vocal feedback circuits many times. If they are discovered and corrected, the voice can be completely regained. It is very important to be aware of the difference between hearing and listening, dealing with the listening posture when singing and the medical check of a specialized doctor in hearing impairment.
Key words: voice, singer, connection between ear and voice, cybernetic circuits, audio-vocal feedback, control loop.
