AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: ADELA BIHARI.
DOI: 10.24193/subbmusica.2021.2.21
Published Online: 2021-12-22
Published Print: 2021-12-30
pp. 297-308
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SUMMARY. The subject of this study deals with the presence of the “fatality” motif in the musical dramaturgy of Bizet’s opera Carmen. A musical portrait of the main character, it defines from the very beginning her tragic destiny. The present analytical approach identifies all the insertions of this musical motif along the development of the dramatic plot, in an intrinsic relationship with the text.
Keywords: Bizet, Carmen, opera, fatality, musical dramaturgy.
