AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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STUDIA MUSICA - Issue no. 2 / 2014 | |||||||
Article: |
THE CONFLUENCE OF SCIENCE AND ARTISTIC INSPIRATION IN GYÖRGY LIGETI’S MUSICAL THINKING. Authors: ATTILA FODOR. |
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Abstract:
Original and contradictory, György Ligeti’s work is rooted in a complex creative thought, influenced by several innated and personal factors. In this context premature affinity towards the natural sciences, the passion for music, and other qualities like synesthesia and a generalized artistic sensitivity proved to be definitive. He manifested during his an opened attitude towards (almost all kind of) music, though his output is basically dominated by several – extremely personal – dichotomies, which ultimately demonstrate a fundamental duality of his personality: science-art, craft-intuition, calculus-emotion, presence-distance, mechanic-kaleidoscopic, grotesque-absurd, manipulation-ecstasy. Our study tries to find out the roots of these dichotomies, mainly through his writings and memories. Keywords: Ligeti, science and inspiration, static-dynamic, synesthesia.
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