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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2015 | |||||||
Article: |
HYMNS OF THE HUNGARIAN REFORMED CHURCH IN THE 16TH CENTURY. Authors: ÉVA PÉTER. |
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Abstract:
In the 16th century verses were written only to be sung, to be presented in the form of a hymn or song. This was not only the general custom of the age, but it also fit the ancient Hungarian tradition. Hungarian preachers of the age who studied abroad got acquainted with Luther’s and Calvin’s perception on ecclesiastical singing and music. They realized that the Word of the Lord could be spread more effectively using songs for this purpose. Since translation of the Geneva Psalms was published in printing only in 1607, the Hungarian preachers wrote hymns themselves. Hymns represent texts of prayers, confessions of faith or confessions of sins. The works of the Hungarian hymn writers were a valuable musical material not only for the Hungarian Reformed congregations, but they were also an inspiration for the great masters of choir literature. The most famous Hungarian composers, Kodály Zoltán, Bárdos Lajos, Gárdonyi Zoltán, thought it relevant to popularize the most beautiful ecclesiastic hymns by creating choir works based upon these. Keywords: vocal ecclesiastical music, gradual songs, paraphrased psalms, historical hymns, strophic adaptations, through-composed pieces, homophonic and polyphonic structural techniques.
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