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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2011 | |||||||
Article: |
GIUSEPPE VERDI: UN BALLO IN MASCHERA. Authors: JÚLIA KÖPECZI-KIRKÓSA. |
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Abstract: The following study will attempt to depict the creation process of one of Verdi’s most dramatic operas – Un Ballo in Maschera. As it was the case many times throughout history, the genesis of this work was also influenced by the politics of the day. Due to strenuous political times, Verdi was compelled to change the setting of his opera and also alter the names of the characters in order not to create havoc for the entire art scene on Italy. Although one might state that the composer was obliged to make compromises, one could safely say that these did not affect by any means the message of the opera or the dramatic impact it had then, on the day of the premiere or even so today, 151 years after its creation. Keywords: Verdi, Un Ballo in Maschera, creation process, synopsis, musical portrayal, Amelia, personal impressions |
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