AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
|||||||
STUDIA DRAMATICA - Issue no. 2 / 2014 | |||||||
Article: |
S. BECKETT AND VOICE IN PERFORMANCE / S. BECKETT ET VOIX EN JEU SCENIQUE. Authors: CHRISTOFI CHRISTAKIS. |
||||||
Abstract: The original use of the voice in Beckett’s dramatic work constitutes a reflection on the boundaries of dramatic art and theatre and proposes a dynamic relationship of the elements brought to the stage. It is connected to the play and stage, reinforcing the enigmatic presence of the character and questioning the limits of narrative and performance. It is carefully orchestrated to bring about new questions. Keywords: Beckett, voices, stage, acting, movement, body |
|||||||