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    STUDIA DRAMATICA - Issue no. 2 / 2014  
         
  Article:   S. BECKETT AND VOICE IN PERFORMANCE / S. BECKETT ET VOIX EN JEU SCENIQUE.

Authors:  CHRISTOFI CHRISTAKIS.
 
       
         
  Abstract:  The original use of the voice in Beckett’s dramatic work constitutes a reflection on the boundaries of dramatic art and theatre and proposes a dynamic relationship of the elements brought to the stage. It is connected to the play and stage, reinforcing the enigmatic presence of the character and questioning the limits of narrative and performance. It is carefully orchestrated to bring about new questions.

Keywords: Beckett, voices, stage, acting, movement, body
 
         
     
         
         
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