AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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STUDIA DRAMATICA - Issue no. 1 / 2023 | |||||||
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THE ACTOR''S BODY AS AN INSTRUMENT: EXPRESSION, MIND, HOPE. A DIALOGUE WITH ACTRESS MAIA MORGENSTERN. Authors: SORIN-DAN BOLDEA. |
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Abstract: DOI: 10.24193/subbdrama.2023.1.11 Published Online: 2023-03-30 Published Print: 2023-03-30 pp. 191-198 VIEW PDF FULL PDF A conversation with Maia Morgenstern prompted interesting reflections about what it means to be an actor. In it, subjects such as fear, motivation, desire, and even the differences between stage and film acting are touched upon. We explore both surface matters as well as profound and extremely sensitive aspects about the actor in general and his instrument. Maia Morgenstern is a celebrated theatre and film actress, known for theatre productions such as An Antique Trilogy (Andrei Șerban, 1990) and films such as The Oak (Lucian Pintilie, 1992) and The Passion of the Christ (Mel Gibson, 2003). Keywords: theatre, film, actor, performer, body, motivation, emotion.
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