AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 1 / 2021 | |||||||
Article: |
THE CUT AND THE PARANOIA OF THE KILLING ACT. BETWEEN ALTMAN AND BUÑUEL / LA COUPURE ET LA PARANOÏA DE L’ACTE MEURTRIER. ENTRE ALTMAN ET BUÑUEL. Authors: FLAVIU-VICTOR CÂMPEAN. |
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Abstract: DOI: 10.24193/subbdrama.2021.1.04 Published Online: 2021-03-30 Published Print: 2021-04-30 pp. 67-83 VIEW PDF FULL PDF ABSTRACT: The Cut and the Paranoia of the Killing Act. Between Altman and Buñuel. This paper aims to explore the psychoanalytic roots and affinities in Robert Altman and Luis Buñuel with respect to the mechanisms of the constitution of the subject. More specifically, I approach the function of the cut as both a mark of the subject and within a so-called paranoid act. Thus, in a Lacanian interpretation, the cut involves topology, the relation with the object, separation and alienation and, ultimately, the pure loss. Key words: cut, act, paranoia, killing, Altman, Buñuel. |
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