AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 1 / 2014 | |||||||
Article: |
A REAL ARTIST ACKNOWLEDGES HIS SUCCESS, HIS FAILURE AND HIS LIMITS: EUGENIO BARBA. Authors: CĂTĂLINA BUZOIANU. |
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Abstract: This paper tries to recover the emotion the author felt at the American seminar in Salzburg, session 205, where four of Eugenio Barba’s films were screened: the first one discussed the company’s formation and components, the second was a study of the actor’s vocal expression, the third one showed the activities of Barba’s company in an Amazonian village, while the fourth film showed the Odin Teatret actor’s fitness. Without, deliberately, giving titles, names, or historical information, the author focuses on the way these films touched her deeply, personally and artistically. The force of these four films convinced her she was confronting herself with a true and vivid artistic experience. Keywords: Eugenio Barba, film, actor, performance, artist.
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