AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 1 / 2006 | |||||||
Article: |
THE METHOD / A MÓDSZER. Authors: HATHÁZI ANDRÁS. |
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Abstract: Professor Hatházi András (also a well known and awarded actor) offers in this study a short summary of his personal method in acting. During the last five years he found eight important points that he had to teach to students. Theese are: Concentration, Body-consciousness, Self-confidence–Freedom, Phantasy–Picture, Energy, Rythm, Measure and Companionship. His point of view is that the first four elements are indispensable in the basic period of study, and the last four elements introduce the young performers into the actor’s technique. In other words, it shows them the actor’s effect on the stage. Here, after a short Introduction, the author focuses on the first and the second element of the Method: Concentration and Body-consciousness. Keywords: theatre, actor, training method |
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