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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 4 / 2023 | |||||||
Article: |
THE NORWEGIAN CABIN IN CHRISTIAN VALEUR’S STEFFEN TAR SIN DEL AV ANSVARET. Authors: GEORGIANA BOZÎNTAN. |
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Abstract: DOI: 10.24193/subbphilo.2023.4.10 Article history: Received 3 August 2023; Revised 16 November 2023; Accepted 28 November 2023; Available online 20 December 2023; Available print 31 December 2023. pp. 207-225 VIEW PDF FULL PDF ABSTRACT. The Norwegian Cabin in Christian Valeur’s Steffen tar sin del av ansvaret. The purpose of this article is to provide an analysis of the representation of the hytte or the Norwegian cabin in Christian Valeur’s 2009 novel Steffen tar sin del av ansvaret (“Steffen Takes His Share of the Responsibility”). Discussing the topos of the hytte, I seek to show how the novel offers a commentary on the Norwegian cabin tradition in the context of the climate crisis in particular and, more generally, on the paradoxical ideas of closeness to nature through consumerism. Drawing on Ellen Rees’s study about cabins in Norwegian literature (2014) and understanding this locus as a heterotopia (Foucault 1986), I discuss how the cabin ironically loses its value of being an “environmentally friendly” form of dwelling, and therefore cannot accomplish its potential role as a heterotopia of compensation. On the other hand, the cabin becomes a place of refuge and self-reflection for the narrator and therefore functions as a heterotopia of crisis. Finally, I suggest we can read the novel in relation to the hyttebok (“cabin book”) conventions, underlining the satirical and subversive nature of the novel towards ecological attitudes in Norwegian society. In this way, I aim to propose a new interpretation of the novel as a work of climate fiction. Keywords: Norwegian cabin, heterotopia, Christian Valeur, hyttebok, climate fiction
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