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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2023 | |||||||
Article: |
INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (2) ETOS I . Authors: PAULA ȘANDOR. |
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Abstract: DOI: 10.24193/subbmusica.2023.2.28 Published Online: 2023-12-30 Published Print: 2023-12-30 pp. 409-445 VIEW PDF FULL PDF Abstract: The present study is part of a series of analytical approaches undertaken on the symphonic-concertant oeuvre of Cluj composer Adrian Pop. Following the chronological order of the works and keeping as a reference their common source of inspiration – namely the Romanian folklore –, the conclusion seeks to highlight the way in which the composer’s individuality relates to both the trends of contemporary language and the European cultured musical tradition, without attenuating the signs of the local stylistic matrix. Starting from the melody of a Miorița from Sălaj, whose typology will prove crucial in rendering the Blagian concept of the undulating plain, the composer uses traditional means – in particular the timbral essences and effects specific to folk organology – or contemporary techniques such as spectralism, texturalism, heterophony, to capture both the descriptive aspects of the idyllic universe and the archaic, archetypal, timeless and, last but not least, tragic essences of the philosophical and literary source. The symphonic discourse established at the level of the three main sections of the work follows a path of almost organic development, from the cellular-motivic elements that anticipate the Miorița theme, engaged in homogeneous, pulsating, diaphanous, or extremely dissonant textures, to the unique moment of virtuosity of the two semantroms in the central section and, finally, to the display of the original melody in juxtaposition, or superimposition with its inversion, in a tableau dominated by the ascent and descent of the flocks of sheep. Keywords: folklore, melody, variation, evolution, texturalism, heterophony, spectralism, timbrality. |
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