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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2018 | |||||||
Article: |
INTERACTIVE SOUND TOOLS AND ENGINES / DISPOZITIVE ȘI UNELTE SONORE INTERACTIVE. Authors: ADRIAN BORZA. |
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Abstract: The compositional algorithms are recognized as solutions to music problems which appear in computer programming. They are small to large-sized patches designed for analyzing, for example, the direction, size, and the magnitude of change of a melodic interval; analyzing the rest between two MIDI events; analyzing the register, duration, delta time and dynamics of MIDI events; analyzing the number of notes of a chord; storing, limiting and sorting pitch or intensity values; processing MIDI events; making chord progressions; compositing a canon; tracking a musical MIDI score. Keywords: Computer Music, compositional algoritm |
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