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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA EUROPAEA - Issue no. 1 / 2018 | |||||||
Article: |
THE MOST IMPORTANT OF ALL ARTS: CONSTRUCTING THE FILM AS A MEDIUM OF COLLECTIVE MEMORY IN THE POSTWAR PERIOD: THE RESISTANCE IN NEPOȚII GORNISTULUI AND DAS BEIL VON WANDSBECK / DIE WICHTIGSTE ALLER KÜNSTE: DER FILM ALS MEDIUM DES GEDÄCHTNISSES IN DER NACHKRIEGSPERIODE. DER WIDERSTAND IN NEPOȚII GORNISTULUI UND DAS BEIL VON WANDSBECK. Authors: ANTONELA GYÖNGY. |
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Abstract: The post-war period represented a time of political and social upheaval that largely affected collective memory. The present paper explores the question of how this collective memory was constructed by the medium of cinematography in Romania and GDR. On the basis of two film analysis, the topos of the resistance fighter is firstly examined as a main negotiation subject between filmmakers and party officials, in order to finally draw comparative conclusions on memory politics in both states. Keywords: collective memory, resistance, cinematography, Romania, GDR |
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