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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 4 / 2017 | |||||||
Article: |
HETERONIMY AND SINCERITY IN THE CREATION OF THE FIRST FRADIQUE MENDES / HETERONÍMIA E SINCERIDADE NA CRIAÇÃO DO PRIMEIRO FRADIQUE MENDES. Authors: CRISTINA PETRESCU. |
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Abstract: DOI: 10.24193/subbphilo.2017.4.12 Published Online: 2017-12-15 Published Print: 2017-12-29 pp. 151-158 FULL PDF Heteronimy and sincerity in the creation of the first Fradique Mendes. The “tricephalic poet” Carlos Fradique Mendes, collective creation of the Generation of 1870 and synthesis of the ideals of this generation, was introduced to Portuguese literature as a unique heteronymical phenomenon. His parents, Eça de Queirós, Antero de Quental and Jaime Batalha Reis infused their literary and ideological homunculus not only with the moral and esthetical principles of the baudelairian satanism and the appetence for perfection proper to dandyism, but also with the complexity of the identity game that turned Fradique Mendes into the first actor of an endless saga of invisibility. His creators managed, in spite of this multiplicity and of the different approaches to the process of creation and depersonalization, to give a prominent outline to the first collective heteronymical project, thus designing the dialogical universes of Portuguese modernism. Keywords: hetronymy, sincerity, Fradique Mendes, Eça de Queirós, Antero de Quental, Jaime Batalha Reis. Referências bibliográficas: Agualusa, J. E. (2008). Nação Crioula. Lisboa: Dom Quixote. Fernandes, J.P. (2002). Autobiografia de Carlos Fradique Mendes. Lisboa: Editorial Notícias. Fialho I. et al (2013). A Morte do Diabo. Lisboa: Caminho. Neto, F.S. (2013). Dandismo e Intertextualidade n’A Correspondência de Fradique Mendes. Lisboa: INCM. Pessoa, F. (2007). Prosa Íntima e de Autoconhecimento. Lisboa: Assírio & Alvim. Piedade, A.N. (2003). Fradiquismo e Modernidade no Último Eça. Lisboa: INCM. Queiroz, Eça de (s.d.). A Correspondência de Fradique Mendes. Lisboa: Livros do Brasil. Reis, C. (1999). Estudos Queirosianos, Ensaios sobre Eça de Queirós e a sua Obra. Lisboa: Editorial Presença. Saraiva, A.J. & Óscar, L. (1976). História da Literatura Portuguesa. Porto: Porto Editora. Serrão, J. (1985). O Primeiro Fradique Mendes. Livros Horizonte: Lisboa. Silveira, P. de, (1973). Carlos Fradique Mendes. Versos. Lisboa: Edições 70. Simões, G. (1987). Vida e Obra de Fernando Pessoa. Lisboa: Dom Quixote. Venâncio, F. (1999). Os Esquemas de Fradique. Lisboa: Grifo. |
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