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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 1 / 2017 | |||||||
Article: |
ELEMENTS OF CHRISTIAN SPIRITUALITY IN THE VOCAL MUSIC OF ROMANIAN COMPOSERS (SOLOISTS REPERTOIRE FOR SOPRANO, CHORAL AND SYMPHONIC VOCAL REPERTOIRE – THE SECOND HALF OF THE 20th CENTURY AND THE BEGINNING OF THE 21st CENTURY). Authors: PETRUŢA-MARIA COROIU, MARIA PETCU-CATRINA. |
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Abstract: DOI: 10.24193/subbmusica.2017.1.07 Published Online: 2017-06-20 Published Print: 2017-06-30 pp. 95-104 FULL PDF ABSTRACT: The Romanian repertoire is rich if we refer to the one dedicated to the Christian elements to praising the Lord, the Virgin Mary, or to the creations of the type Ave Maria, Our Father, Requiem, cantata, etc. Romanian composers created works about the glory of God and of the Mother of God, displaying a special approach to the texts of these prayers. In the Romanian vocal art at the end of the 20th c. and the beginning of the 21st c., if we concentrate on the soloist repertoire for soprano, the choral and vocal symphonic repertoire, we discover the following terms of reference which can be associated with the research of elements of Christian tradition and spirituality in the Romanian musical culture from George Enescu until the present day. Keywords: voice, Christianity, soprano, modernity. REFERENCES Dediu, D. (2003). Symposium dedicated to the Romanian lied, Brașov (program). Donceanu, F. (2003). Symposium dedicated to the Romanian lied – Those who love-, Brașov, 18 May 2003, At Museum, The National Festival of the Romanian Lied – The National Interpretation Contest. Mitroi, F. (2014). Cântarea liturgică în Biserică: artă şi rugăciune [Religious Music in the Church: art and prayer], Ziarul Lumina [The Light Newspaper], Retrieved from http://ziarullumina.ro/cantarea-liturgica-in-biserica-arta-si-rugaciune-94812.html Moceanu, O. (2016). One way - Interviews. Bucharest, Editura Tracus Arte. Moldoveanu, N. (2010). Cântarea bisericească în şcoala românească şi rolul ei în educaţie [Church Music in the Romanian School and its Role in Education], Ziarul Lumina [The Light Newspaper], Retrieved from http://ziarullumina.ro/cantarea-bisericeasca-in-scoala-romaneasca-si-rolul-ei-in-educatie-18254.html. Păunoiu, A. (2009). Ziarul Lumina [The Light Newspaper], Retrieved from http://ziarullumina.ro/cantarea-bisericeasca-fixeaza-cel-mai-bine-invatatura-dogmatica-si-traditia-crestina-37409.html. |
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