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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 2 / 2017 | |||||||
Article: |
TO CURATE A PART OF ONE’S SOUL. TRANSPLANTING A PERFORMANCE IN THREE (RADICALLY) DIFFERENT SPACES. Authors: RALUCA LUPAN. |
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Abstract: DOI: 10.24193/subbdrama.2017.2.10 Published Online: 2017-10-31 Published Print: 2017-10-31 pp. 173-186 VIEW PDF: TO CURATE A PART OF ONE’S SOUL The curating process of a performance like 4.48 Psychosis by Sarah Kane constitutes a reflection of a round, back and forward act of doubt and belief. A suitable or a malicious managerial decision in chancing a given data in the performance can determine the path and the course of the show. Every act or management action can alter the channels of communicating with the audience and its perception and reception of the performance. Keywords: curating, interaction, independent theatre, space, distance, audience. References Budău-Tunyagi, Ozana. “The Psychological Mechanism of Trauma and Its Effects on Sarah Kane’s Experimental Theater.” Studia UBB Dramatica LIX, no. 2 (2014). Gabriel, Sandu. “De Ce Teatrele Românești Sunt Conduse de Actori Și Regizori Cu Mandate Infinite [Why Romanian Theater Institutions Are Managed by Actors and Directors with Infinite Mandates].” Vice, February 2, 2016. https://www.vice.com/ro/article/de-ce-teatrele-romanesti-sunt-conduse-de-actori-si-regizori-cu-mandate-infinite-577. Pavis, Patrice. Dictionary of the Theatre, Terms, Concepts and Analysis. Toronto: University of Toronto Press, 1998. Sierz, Aleks. In-Yer-Face Theatre: British Drama Today. London: Faber & Faber, 2001. “What Is in-Yer-Face Theatre?” In-yer-face Theatre. Accessed July 9, 2017. http://www.inyerfacetheatre.com/what.html |
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