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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 2 / 2017 | |||||||
Article: |
ROMANIAN THEATRE CRITICISM DURING THE STALINIST ERA. CONSTRUCTION AND DECONSTRUCTION OF THE CRITICAL DISCOURSE. Authors: ALEXANDRA EMMA PEDESTRU. |
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Abstract: DOI: 10.24193/subbdrama.2017.2.03 Published Online: 2017-10-31 Published Print: 2017-10-31 pp. 51-68 VIEW PDF: ROMANIAN THEATRE CRITICISM DURING THE STALINIST ERA The purpose of this paper is to capture the way theatre criticism changed once the communist regime was finally established in Romania. The focus is on the years of Stalinist reign, as they might be considered the most oppresive, especially in the cultural domain. The article aims, on one hand, to draw a historical context in which the change occured, while, on the other, it analyzes the various ways Socialist Realism affected critical thinking, substituting aesthetics for ideology in drama reviews and forcing critics to concentrate almost obsessively on the dramaturgy, in the detriment of the performance itself. Keywords: Stalinism, Socialist Realism, criticism, textocentrism, ideology, aesthetics. References Anonymous. “Să lichidăm rămânerea în urmă a dramaturgiei.” Contemporanul, April 11 1952. Alterescu, Simion. “’Casa cu storurile trase’ de frații Tur.” Contemporanul, January 19 1951. Baranga, Aurel. “Lucia Demetrius: ‘Oameni de azi’.” Contemporanul, October 3 1952. Bărbuță, Margareta. “Schimbarea la față a unor spectacole.” Contemporanul, March 17 1950. Bărbuță, Margareta. “Trei generații de luptători.” Contemporanul, May 15 1953. Brumaru, Zamfir. “Ultimul mesagiu.” Scânteia, May 7 1950. Demetrius, Lucia. “Unele probleme ale creației noastre dramatice.” Contemporanul, June 20 1952. Iosifescu, Silvian. “Un debut: ‘Omul din Cetal’ dramă în 3 acte (10 tablouri) de Mihail Davidoglu.” Contemporanul, 1946. Jdanov, Andrei. “Însemnări cu privire la critica teatrală.” Contemporanul, July 11 1952. Mitchievici, Angelo and Ioan Stanomir. Comunism inc. Istorii despre o lume care a fost. Bucharest, Humanitas: 2017. Rubingher, M. “Aportul plastic în spectacol.” Flacăra, January 9 1949. Silvestru, Valentin. “O revistă nouă și un pas înainte, sau spectacolul ‘Stroe știe și le spune’ de la Teatrul Savoy.” Flacăra, January 9 1949. Tismăneanu, Vladimir and Cristian Vasile. Perfectul Acrobat. Leonte Răutu, măștile răului. Bucharest: Humanitas, 2008. Țugui, P. and S. Damian. “Despre unele probleme ale dramaturgiei noastre.” Contemporanul, September 12 1952. |
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