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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2016 | |||||||
Article: |
INTERPRETATIVE ISSUES IN CHURCH CHORAL MUSIC . Authors: . |
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Abstract:
The present endeavour aims primarily at emphasizing the issues related to the interpretation of Orthodox liturgical choral music. Although, at first glance, the music of the Divine Liturgy seems to be just another art of sound, in reality it goes far beyond the limits of a “simple” work of art. The religious sermon can in no way be compared to a concert, with performers and listeners. The parishioners are not merely an audience from a concert hall, but, together with the priests performing the ceremony, they participate organically and actually to the development of the religious sermon. Hence, it is important to become aware of the fact that, in the Christian cult, the chanting is not merely decorative, but it accompanies and continually deepens the important moments of the divine service. Keywords: liturgical music, choral music, conductor, performance. |
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