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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA MUSICA - Issue no. 2 / 2016 | |||||||
Article: |
ASPECTS OF MUSICAL LIFE DURING ADOLF HITLER’S DICTATORSHIP. Authors: . |
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Abstract:
Aspects of Musical Life during Adolf Hitler’s Dictatorship – in the beginning of the 20th century the world witnessed the rise of some of the most prominent dictators and the development of some of the most destructive wars in history. One of the most illustrative examples of totalitarianism in the 20th century is the reign of Adolf Hitler, which had a significant impact on the musical life in Germany. In this research we present some of the most important aspects of the musical contexts during the Nazi regime and the attitudes of some of the most important composers of the time. The Nazi regime systematically purged all influences of Jewish and modern music, promoting only music that was ideologically accepted. To implement these decisions, the Nazi leaders decided to take control of the institutions that included music, from society’s core institution – the family – to music in churches and schools. Keywords: music, censure, Hitler, Nazi, composers, ideology, resistance, persecution |
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