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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 2 / 2012 | |||||||
Article: |
A TRACES’ DRAMATURGY. THE PROCESS OF ADAPTATION IN CONTEMPORARY DANCE / UNE DRAMATURGIE DES TRACES. L’ADAPTATION EN DANSE CONTEMPORAINE. Authors: MATTIA SCARPULLA. |
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Abstract: A Traces’ Dramaturgy. The Process of Adaptation in Contemporary Dance. The idea of this article would be an analyse of the concept of dramaturgy in contemporary dance. When a dance disappears, a traces’ dramaturgy remains and become a text for the new adaptations. In the first part of the paper, some process of dance rewriting are presented in two artistic contexts: in the classical dance, using the notion of repertoire; in the contemporary dance, when a choreographer decide to make an adaptation of one of his past works. In a second part, the example of After all…, by Vava Ştefănescu will be analysed as a choreographic adaptation of a trace’s dramaturgy. The absence of the original dance is the birth of a text whom become a new original choreography in every new embodiment by a dancer, like the dance of Carmen Coţofană about Ştefănescu’s traces. Keywords: dance as text, dramaturgy, the trace and the forgetting, Vava Ştefănescu, After all…, contemporary dance |
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