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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA DRAMATICA - Issue no. 2 / 2012 | |||||||
Article: |
REVISITING THE CLASSICS. FRIEDRICH DÜRRENMATT AS STAGE DIRECTOR IN ZÜRICH. Authors: DRAGOŞ CARASEVICI. |
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Abstract: Revisiting the Classics. Friedrich Dürrenmatt as Stage Director in Zürich. Not only did the well-known Swiss playwright Friedrich Dürrenmatt construct his entire theatrical thinking on the idea of the pre-eminence of the stage in the dramatical work, but he also put his theories into practice, first at the Basel theatre (1968-1969) and then at the Schauspielhaus Zürich (1970-1974), where he adapted and staged Urfaust by Goethe, Woyzeck by Büchner and Emilia Galotti by Lessing. The present article aims to briefly discuss the three adaptations in order not only to fill a gap in the research conducted so far on Dürrenmatt’s activity as theatre practitioner but also to bring to light the guidelines of his stage thinking. Keywords: Dürrenmatt, adaptation, Goethe, Büchner, Lessing, stage thinking |
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