![]()
AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
|
|||||||
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
|||||||
STUDIA PHILOLOGIA - Issue no. 3 / 2011 | |||||||
Article: |
MYTHS OF LITERARY CREATIVITY IN KNUT HAMSUN’S HUNGER (1890) AND PAN. FROM LIEUTENANT THOMAS GLAHN’S PAPERS (1894) . Authors: . |
||||||
Abstract: Myths of Literary Creativity in Knut Hamsun’s Hunger (1890) and Pan. From Lieutenant Thomas Glahn’s Papers (1894). The present essay discusses Knut Hamsun’s innovative vision on literature, as it appears in two of his early novels, Hunger and Pan. From Lieutenant Thomas Glahn’s Papers, which mark the transition of Norwegian literature from romanticism to modernism. I focus on the metafictional character of the novels from the perspective of two myths that Hamsun employs: the myth of the suffering artist and the masculinist myth of literary power. The former outlines the necessity of asceticism as a catalyst for creative consciousness, while the latter leads me to apply a feminist-deconstructivist and a queer reading on the two novels, and to follow the construction of masculinity (in opposition to femininity). I conclude that the presence of “gender trouble” – homoerotic overtones or instances of destabilisation of traditional gender identities – is indeed a testimony of Hamsun’s modernism, but it is not enough to disrupt the author’s allegiance to gender essentialism. Keywords: New Romanticism; Metafiction; Radical subjectivity; Gender identity; Queer. |
|||||||
![]() |
|||||||