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AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name. |
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STUDIA PHILOLOGIA - Issue no. 3-4 / 2002 | |||||||
Article: |
ON THE COHESION OF FREE INDIRECT DISCOPURSE. Authors: ŞTEFAN OLTEAN. |
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Abstract: This article proposes an analysis of the discourse means that sustain the cohesion of free indirect discourse (FID), a point-of-view narrative style, used especially in literary prose for the representation of verbal events, and of verbal or non-verbal mental events (see Oltean 1993). Various approaches have proposed accounts of FID on the basis of intrasentential, syntactic features that signal the "emergence" of another perspective, different from the narrator’s, without addressing the issue of those aspects that sustain sentence connectedness within FID passages, or the intersentential means whereby this discourse mode hangs together as a distinct text unit (but see Ehrlich 1990). In what follows, I turn to this issue, offering first a brief characterization of FID, and then a presentation of some major accounts of it in the literature (see also McHale 1978; and Oltean 1993; Flundernik 1993). The data base for the article consists of excerpts from literary texts by Virginia Woolf (To the Lighthouse and Mrs Dalloway), D. H. Lawrence (The Rainbow), James Joyce (Eveline), and Doris Lessing (To Room Nineteen). | |||||||
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